Posts Tagged: video


2
Sep 09

Big Girls vs. Fatties vs. Ambiguously Gay Male Pop Stars

One of my favorite figures of speech is describing something as being like “the love child of ___ and ___.” As in, “Have you seen Pan’s Labyrinth? It’s like the love child of The Pianist and the actual Labyrinth!” Or “Hey! Look at that guy over there! He looks like the love child of David Bowie and Bob Barker!” (How terrifying would that be? Actually, how terrifying was Pan’s Labyrinth?)

What would happen if two songs had a baby?

Freddie Mercury & Morrissey

Freddie Mercury & Morrissey

If songs look anything like their singers, it would look like this: Continue reading →


28
Aug 09

Hell is in “hello”

Quick question– what song prevented the Beatles’s “Let It Be” from hitting #1 on the UK charts in March of 1970? It had to be pretty amazing, because “Let It Be” was their swan song as a band. I’ll give you another hint: it was played at Joe Strummer’s funeral (may he rest in peace).

If you don’t know off the top of your head, what would you guess? March of 1970– could be another Beatles song, or maybe the Rolling Stones. Possibly an American interloper, like Simon and Garfunkel. Now we’re getting closer, at least, because it was an American, though not Paul or Art. He didn’t chart another single before or since, actually, and was known mainly as an actor– Lee Marvin.

Continue reading →


26
Aug 09

We Are Not What You Think We Are

Mika, in his ongoing quest to be like both Grace Kelly and Freddie Mercury, has released a brand-spanking-new single, “We Are Golden.” Like “Grace Kelly” (the single) and Freddie Mercury (the musician), WAG demonstrates the confectionery pop that is the Mika signature sound, a mix of delicately tread piano-lined verses, contrasted with a harder hitting, anthemically belted chorus. Paired with the visually delicious video (directed by Madonna favorite Jonas Åkerlund), there’s a lot of pleasure to be had here– a shame it didn’t come out three or so months ago, so it could really shine as a summer jam.

What’s really wonderful about this single is that it comes out of the box with not one but TWO Calvin Harris mixes– a radio edit, and a “vocal mix,” both of which feature Harris’s typical fuzzed out stuttering dancepop treatment. They’re a marvelous remedy for those who are a bit turned off by the more saccharine elements of the original mix, and the second will be especially fine for DJs looking for something to warm up their turntables this fall. Thanks to Liz for linking me to the video!


10
Apr 09

No Sleep Till Moscow

What’s kind of like a cross between the World Cup and American Idol, and has been broadcast annually since 1956? Besides your mom, that is. If you don’t know (this seems to be a particularly American affliction), then you’re missing out on one of the largest secrets of Europe (as well as the Maghreb and Levant), what between 100 and 600 million people watch every year. It’s called Eurovision, and we are currently a mere one month and six days from the live broadcast of Eurovision 2009 from Moscow.

If you’re wondering what the fuck I’m talking about, here’s a quick rundown:

eurovision_song_contest_2009Eurovision has been broadcast annually since 1956. It was conceived as a way to help rebuild morale in postwar Europe by frenchman Marcel Bezençon.

Seven countries participated initially, and in 2009 we’re up to 42! Only 25 compete in the final competition, though, which means that there are also two semi-finals (May 12 and 14).

Participating countries can select their representative song either through public competition (most do this) or internal decision.

Four countries (Germany, Spain, France, and the UK) don’t have to compete in the semi-finals, because they provide so much financial support. They always go straight to the finals, as does the host country’s (last year’s winner’s) entry.

And you can’t vote for your own country.

It used to be that the host country had to provide a live orchestra, in case anyone needed it to back them. In fact, it was this way until 1998, but now no longer. The only thing required to be live now is vocals (both lead and backing), but everything else can be pre-recorded.

Since you’re trying to curry the favor of pretty much all of Europe, most entries are pretty bland bubble gum type pop music. In 2006 Finland broke damn near every rule, however, with Continue reading →


27
Mar 09

The Art of the Toy Piano

Our final post in Experimental/Avant-Garde music week is about Margaret Leng Tan, who I can barely even use words to describe.

Born in Singapore, she started playing piano at the age of six, and won a scholarship to Julliard when she was sixteen, where in 1971 she became the first woman to ever complete a Doctorate of Musical Arts there. How’re those for some fucking credentials?

Her training was in classical concert piano, but my sneaking suspicion is that she found it a bit boring. So she then went on to playing prepared piano, which is where you put weird shit inside of the piano (nuts, bolts, bits of wood, matchbox cars, Woody Allen’s teeth…) and then either play it the usual way, with the keys, or reach inside and pluck the strings.

Margaret Leng Tan

Actually, plucking the strings might be called something else. But she definitely got into using  some pomo methodologies. And THEN, she met John Cage, and worked with him for the last eleven years of his life. If you’re unfamiliar with John Cage, here is a sentence from wikipedia for you: “A pioneer of chance music, electronic music and non-standard use of musical instruments, Cage was one of the leading figures of the post-war avant-garde and, in the opinion of many, the most influential American composer of the 20th century.”

He’s kind of a big deal.

So after he died, Margaret Leng Tan toured around performing his work, which is legendary for its difficulty. A lot of it is so atonal and dadaistic that I don’t think it was really even meant to be performed. And then, one day in 1993,  she wandered into a shop selling toy pianos and picked one up. A toy piano is different from a regular piano because, well, it’s a toy. They’re usually tiny, and thus a lot higher pitched, and often much more difficult to persuade to hold their tuning. And Dr. Margaret Leng Tan can play the absolute living shit out of them.

Continue reading →